韦斯·安德森的电影总是有股子文学味。从序幕到结束，对称的构图、考究的细节、略为夸张的人物、不时冒出的小幽默，这部比《青春年少》给我的观感要好，人物塑造特点鲜明，故事完整，画面依旧灿烂艳丽。

作为恶搞电影，通过对一些热门电影的颠覆性演绎来博取观众一笑，虽然恶俗了点，但也算为喜剧电影开创了一个旁门别类。

3集50分钟的《娃娃屋》电影，女主很坚强制作娃娃屋配件的‘女巫’有着预感超能力，玛琳怀的是黑人的孩子，男主最后被扔到河里死了，结局女主上位？总之我看不懂此剧...

Your best bet is just to learn how to suffer existence. "What might have been and what has been point to one end, which is always present." I got no interest in who,what,why of your past. In order to know a person u have to know the whole package. It doesn't matter everything resets & people don't remember. We remember, we have to deal with the things we do. This was always a good day here. U got to find ur Irvine. I can survive just fine without u, but there's a chance that this life can be a little less mundane with u in it. What if we get sick of each other? We're already. It's the best.

第一次在电影院看的电影，记得还写过这个的观后感