4.5 love it, even though the line between fiction and reality is supposedly clear particularly after 2nd viewing (obviously, the execution, the writer, the attempted suffocation by pillow scene are all imaginary) , there are still lots of postmodern smoke and mirrors and humors left (what the heck with all the bleeps, what does alien abduction mean, and at the very end, is Petrov just returning home ALONE? and his house becomes a dollhouse! Has he always been alone and the entire film is his comic work?). Now the cliched praise: dashing camera, surreal transition, 3-act structure each in its own shooting style and lighting invoking distinct emotions and motifs undercutting one another.

仅供娱乐结尾矫情，打着摇滚旗号却找不着britpop的感觉，对其OST没兴趣。

真的太一般了，即使动人之处也是，本片的剪辑应该再好好上上课学学。不及格。

其实只有那通诱出关键信息的电话是特别有价值的，但也没有用好。

印象最深的话就是：“财色名食睡，地狱五条根”。