Weill portrays a single, green girl's helpless loneliness in a big city (it's always NYC) with such authenticity and delicacy; Susan's not selfish but only scared, of being WITH someone and making up her own calls. And that's not only the struggle of being single but also being a single woman during the 1970s after the 2nd-wave feminism movement. Yet it remains pertinent now more than ever: How hard is it to be in the counterculture when mainstream prevails? How would marriage do to friendships? What's it like to maintain the female perspective? Frances Ha's answer pales like a superficial YA novel in front of this one.

这角色不太适合他演。。。

表演当然好。但整体很平庸啊。

不靠谱的大叔也有靠谱的举动。力荐~

又要拿来跟韩国的电影，摩天楼比了。人物设计很生硬，大部分都是特写镜头，因为特殊效果没有办法做得很理想。演员演戏偶尔也过了头。